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DCC Bridge
Anonymous1762921849
11-13 22:09
Model Name
egyptian sarcophagus 3d model
Tags
props
rendering
realistic
Prompt
An **indistinguishable-from-reality, museum-grade, hyperrealistic High-Poly 3D Model** of an ancient Egyptian Royal Sarcophagus, **dramatically depicted as OPENED**. The model must convey profound historical authenticity, majestic decay, and immense material weight, showcasing both its exterior and intricate interior details. **II. TECHNICAL SPECIFICATIONS** * **Model Type:** High-Poly Cinematic/Sculpt Asset. Optimized for extreme close-ups. * **Topology:** Clean, Quads-dominant mesh. * **Scale:** Real-world scale (Approx. 2.2m height). * **UV Mapping:** Professional, non-overlapping UV Unwrapping for all parts (Lid, Base, Interior, Face). * **Files Required:** .OBJ, .FBX (high-poly export), and Native File (.ZTL or .MA preferred). **III. TEXTURING & MATERIALS (PBR - Extreme, Aged Fidelity)** * **Workflow:** Full PBR (Physically Based Rendering) workflow, emphasizing deep historical wear and natural material degradation. * **Primary Material (Gold - Exterior):** **Solid, Heavy Gold**, now with a **dulled, heavily tarnished, and oxidized finish**, showcasing centuries of exposure. The gold is not uniformly shiny but has areas of darker patina, green copper oxidation (verdigris) in crevices, and subtle pitting. * **Interior Material (Gold/Wood/Stone):** The interior of the sarcophagus (where the body rests) is either **less tarnished gold** (suggesting protection from air) or a **dark, polished ancient wood/stone (e.g., black granite/diorite)**, contrasting sharply with the golden exterior. This interior should also have subtle dust and age. * **Inlay Materials (Aged Stones):** All exterior and interior inlays (Lapis Lazuli, Carnelian, Green Feldspar, Alabaster) must show realistic signs of age: subtle surface abrasion, micro-scratches, slight chipping, and dust accumulation. * **Dust & Sediment:** Visible, finely detailed dust, sand, and fine mineral particles accumulated in all crevices, especially where the lid meets the base, and within the interior. **IV. SCULPTING & DETAILING (Profound Historical Depth - Open View)** * **Lid Position:** The lid is either **partially slid open** (revealing the upper half of the body) or **propped up next to the base** at an angle (fully revealing the interior). Focus on the **rough, heavy edges of the lid** where it has been moved. * **Exterior Sculpting:** As previous prompt (stern, ancient face; deeply carved symbols/hieroglyphs; realistic weathering and damage on gold and inlays). * **Interior Sculpting:** * **Detailed Interior Walls:** The inner walls of the sarcophagus must be intricately sculpted with **smaller, precise hieroglyphic inscriptions** and protective deities in relief, possibly painted in faded, ancient pigments (e.g., faded reds, yellows, blues) or carved directly into the inner stone/wood. * **Bedding/Linen:** The internal "bed" where the mummy rests should show impressions or subtle remnants of decayed linen or padding. * **Mummy Inside (Optional/Partial):** If the lid is partially open, the **upper portion of the previously described hyperrealistic mummy** (face, chest, arms) is visible within, resting in its ancient bed. The interaction between the mummy and the sarcophagus interior should be natural, with dust settling. * **Wear & Tear (Specific to Opening):** Subtle damage, scuffs, and possibly **small chip marks** on the edges of both the lid and the base where they met and were separated after millennia. **V. POSE & PRESENTATION** * **Lighting:** Dramatic, atmospheric tomb lighting. A single, focused ray of **dust-filled sunlight or torchlight** cuts through the darkness, illuminating the interior of the sarcophagus and the exposed details, creating strong contrasts and deep, dramatic shadows. This emphasizes the discovery. * **Background:** A **dark, rough, stone tomb interior** or a dimly lit archaeological excavation site, with scattered ancient debris (e.g., broken pottery, fallen rocks, more dust) around the sarcophagus. * **Final Look:** The image must evoke a profound sense of **discovery, awe, and the unsettling passage of time**, presenting a **stunning, hyperrealistic artifact** that has just had its millennia-old seal broken.
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