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Anonymous1766638811
12-26 06:51
Model Name
butterfly brooch 3d model
Tags
props
rendering
realistic
Input
Prompt
This is a stylized, dual-tone jewelry pendant in the shape of a butterfly. Below is a detailed technical description tailored for a 3D modeler or CAD designer (using software like Rhino/Matrix, Blender, or ZBrush). Project Title: Two-Tone Stylized Butterfly Pendant 1. General Form & Geometry * Style: Sculptural, organic, soft-surface modeling. The design uses smooth, flowing curves rather than sharp, hard edges. It resembles folded ribbon or organic petals. * Symmetry: Perfectly symmetrical along the vertical Y-axis. * Dimensions (Estimated): Approx. 25mm - 30mm width. * View: The object is a pendant with a bail at the top. 2. Component Breakdown A. The Wings (Main Structure) * Material: Silver / White Gold / Platinum. * Forewings (Top): Large, triangular but with soft, rounded corners. The surface is convex (puffing outward) but curls inward at the bottom edge to create a shelf for the gemstones. The outer edges are thick and rounded (filleted), not sharp. * Hindwings (Bottom): Smaller, roughly square shapes with rounded corners. They curve inward toward the body. * Stone Channels: Along the inner curvature of both the top and bottom wings (where they meet the body), there is a recessed channel or "step" that houses the light blue stones. B. The Body (Central Fuselage) * Material: Yellow Gold (18k or 24k color). * Shape: An elongated, tapered tear-drop or marquise shape. It is domed (convex). * Antennae: Two thin, tapered yellow gold wires emerging from the top of the body, curving gently outward. * Setting: The body contains a vertical row of stones down the center line. C. The Bail (Loop) * Material: Silver / White Gold. * Shape: A stylized, fluted V-shape or leaf shape located at the top center. It sits behind the antennae. It acts as the connector for a chain. It has a central depression/groove. 3. Gemstones & Setting Details A. Wing Stones (Accent Stones) * Type: Round Brilliant Cut. * Color: Light Blue (Aquamarine, Blue Topaz, or Paraiba Tourmaline). * Placement: Set in a single row along the inner curved "shelf" of the wings. * Setting Style: Bead set or bright-cut pavé. The metal beads holding the stones appear to be silver/white. * Count: * Top Wings: ~6-7 stones per side (graduated sizes, larger at the top). * Bottom Wings: ~5 stones per side. B. Body Stones (Center Stones) * Type: Round Brilliant Cut. * Color: Green (Emerald or Tsavorite). * Placement: Vertical line down the center of the gold body. * Setting Style: Bezel or flush set into the yellow gold. * Count: 4 stones, graduated in size (largest at the top, smallest at the bottom). 4. Textures & Finishes (For Rendering) * Silver Parts (Wings): Satin or Matte finish. It creates a soft, diffused reflection rather than a mirror polish. * Yellow Gold Parts (Body): High Polish. Needs to contrast with the matte wings. * Gemstones: High refraction, glassy material. 5. Modeling Notes for the Artist * Thickness: Ensure the wings have significant volume/thickness (approx 2mm - 3mm at thickest point) to support the casting process. They should not be single planes. * Undercuts: Be mindful of undercuts beneath the wings if this is for injection molding or casting; slight drafting angles may be required. * Boolean: The yellow gold body should be modeled as a separate sub-tool/mesh from the silver wings to allow for two-tone casting or plating separation.
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