Relief panel 3D Models

Find the best Relief panel 3D Models, free download in STL, FBX, GLB, OBJ, 3MF, USDZ for 3D modeling and creation in Blender, 3D printing, game developing, animation, eCommerce, AR/VR and etc. Generated by Tripo AI 3D Generator.

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Anonymous1770673360

Anonymous1743420076

Convert the uploaded line art into a 3D relief model suitable for engraving or carving. The design features a hornbill bird with traditional ornamental floral patterns. Create smooth layered depth with clean edges, like a carved decorative panel. Keep the details sharp and faithful to the original illustration.

Anonymous1770654384

Classical stone bas-relief wall sculpture inspired by ancient Greek and Roman art.
Large rectangular relief panel with multiple human figures, mythological scene.
Elegant flowing garments, expressive anatomy, carved marble texture.
Low relief depth suitable for wall mounting.
Highly detailed sculptural surface, realistic stone wear and chisel carving marks.
Flat backside, clean borders, single-piece geometry.
Optimized for CNC milling and 3D printing.
No background elements, no text, no frame.

Anonymous1760704188

Anonymous1770088678

Create a high-resolution 3D relief surface exactly matching the reference image. The model is a flat rectangular wall panel with shallow depth. It contains smooth, continuous, flowing curved grooves running organically across the surface, similar to contour/topographic lines. Along several curves, add evenly spaced small hemispherical raised dots following the same paths. All lines and dots are softly rounded with no sharp edges. The surface height variation is subtle and uniform. Material is plain matte plaster with a fine grain texture. Color is uniform off-white. No patterns added, no randomness, no artistic interpretation, no lighting effects, no environment, no decoration. Geometry must match the reference image precisely.

Anonymous1761635761

Anonymous1768442259

I want 5 mm thick 3d painting from this photo. 3d image height or width should not exceed 300mm.

Anonymous1766473995

Anonymous1769277537

This is a frameless floral relief designed to be milled from a single block of marble using a 3-axis CNC machine. The composition features roses, lilies, and flowing foliage arranged in an open, organic layout with no border, frame, or enclosing element of any kind. The floral mass itself defines the outline rather than any geometric perimeter.

The relief follows an approximate 4:3 width-to-height ratio, giving the composition a balanced, compact proportion. The largest flowers measure roughly half of the total height (1:2), while the overall carving depth is limited to about one sixth of the total height, ensuring full top-down tool access and compatibility with 3-axis machining. All forms are modeled without undercuts, with smooth transitions and rounded volumes optimized for flat-end and ball-end milling tools.

the piece is inspired by classical European marble ornamentation, adapted for CNC production and intended for architectural surfaces, wall panels, or integrated elements

Anonymous1769167483

Anonymous1766787493

A panoramic bas-relief sculpture, extremely high detail, intricate geometric patterns. Celtic knots, interlocking arabesques, floral vines, and mandala elements. The relief has a precise, uniform depth of 20mm, creating sharp, clean shadows. The style is ornate and symmetrical, suitable for architectural decoration. The surface appears as polished stone or plaster, with crisp edges, designed for high-resolution 3D printing. No organic figures, only geometric and botanical motifs.

Anonymous1767811634

Create an architectural bas-relief sculpture in a horizontal rectangular format.

The relief depicts a highly compressed, chaotic agglomeration of medieval and renaissance elements such as shields, swords, spears, cloaks, mantles, ropes, laces, and ornamental fragments.

Objects must be tightly interlocked, overlapping, wedged, and visually compressed, forming a dense sculptural mass with strong friction between shapes. No object should appear isolated or clearly separated; elements must merge, collide, and interpenetrate into a continuous surface with no empty spaces.

The composition should feel chaotic but intentional, with irregular rhythm and forced layering rather than symmetry or order.

Style: classical baroque / late renaissance architectural relief.

Geometry constraints: use simplified, geometric volumes while maintaining heavy overlap and interlocking. Prioritize smooth continuous surfaces and low-frequency geometry. Avoid micro-detail, surface noise, thin elements, or deep

Anonymous1768470613

Anonymous1767189985

Anonymous1766965202

Anonymous1766107458

Anonymous1748939396

Anonymous1742092924